Fujifilm 15341277 Datasheet download pdf (Page 3)

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FUJICHROME Velvia 100F Professional

[

RVP100F

]

•

FUJIFILM PRODUCT INFORMATION BULLETIN

6. EXPOSURE PRECAUTIONS

With artificial light, such as electronic flash, photoflood,

fluorescent, tungsten, high intensity discharge lamp

(metal halide, sodium, mercury vapor), etc., the lamp

output and color temperature may be affected by such

factors as brand, age of equipment and line voltage.

Reflectors and diffusers can also influence light intensity

and color temperature.

7. FILM HANDLING

• Expose film before the expiration date indicated on

the film package and process as soon as possible

after exposure.

• When loading and unloading roll film, avoid direct

sunlight. If there is no shade, shield the film from the

sun with your body.

• Camera-loaded film should be exposed and pro-

cessed immediately.

• Handle sheet film in total darkness. Avoid touching

the emulsion surface. (The use of a safelight will

cause fogging.)

• At airport and other terminals, unprocessed film

should be kept away from X-rays used to inspect

checked-in baggage. Strong X-rays can cause fog-

ging of unprocessed film. Always place such film in

your carry-on baggage. (It is recommended that film

be placed in transparent plastic bags or net bags

through which the film is visible.) Film which may be

subjected to multiple X-ray inspections should be re-

moved from carry-on baggage for visual (manual) in-

spection instead.

• Film fogging may occur near X-ray equipment used

in hospitals, factories, laboratories and other loca-

tions. Always keep film away from possible sources

of radiation.

8. FILM STORAGE

Unprocessed Film

• Storing exposed or unexposed film under hot and hu-

mid conditions may adversely affect the speed, color

balance and physical properties of the film. Store

film under the following conditions.

Short-to-medium-term Storage:

Below 15°C (59°F) ...... (Refrigerator)

Long-term Storage:

Below 0°C (32°F) ........ (Freezer)

• Building materials, finishes used on newly manufac-

tured furniture, paints and bonding agents may pro-

duce gases which could affect photographic film. Do

not store film, lightproof boxes of film, loaded cam-

eras or film holders near these materials.

• Before use, films taken from cold storage should be

allowed to stand at room temperature for over 3

hours for refrigerated film, and over 6 hours for frozen

film. Long rolls such as 100 feet (30.5 m) will require

additional time. Opening a package/box of film that

is cold may cause harmful condensation.

Processed Film

As with materials used in other products, the materials

used in photographic products will change over time.

Since film is usually used for the long-term recording of

memorable events, as much effort as possible is made

to use materials that exhibit the least amount of change

over time, but the effects of light, heat, oxygen in the air,

contaminating gases, humidity and mold cannot be

completely avoided. It is possible, however, to minimize

the change in the photographic image or base material

by maintaining the appropriate storage conditions for

films, such as those used by museums and art galleries.

Temperature and humidity control is the most important

key to minimizing the change that occurs in film. Films

stored in the dark under the following conditions

may

be expected to show almost no change over time.

Storage Period with Almost No Change:

More than 20 years, Temperature: Below 10°C,

Relative Humidity: 30% – 50%

Storage Period with Almost No Change:

10 – 20 years, Temperature: Below 25°C,

Relative Humidity: 30% – 50%

*1 Changes in the photographic image or base material gener-

ally take the form of reduced image quality (color fading). In

some cases, however, damage to the base material may be

caused by chemical changes that occur in the product when

placed in a closed environment under hot and humid condi-

tions.

*2 For the conditions indicated above, a well-ventilated place is

the ideal; however, since containers prevent the passage of

air, it is recommended that films be removed from containers

and ventilated about once a year. Ventilation should be done

during seasons in which the air is dry. Color reversal film

should either be mounted or inserted into sleeves.

9. PROCESSING

This film is designed for processing by Kodak Process

E-6, or Fujifilm Process CR-56, etc.

10. LIGHT SOURCES FOR VIEWING

Use a standard transparency viewer. Visual responses

will differ with light source quality and brightness.

Therefore, employ a viewer which meets the ISO/ANSI

standard.

* The ISO standard (ISO/DP3664-2) specifies an illuminated

viewer surface with a color temperature derived from a CIE

illuminant D50 (D:Daylight) with a reciprocal color temperature

of 5000K, an average brightness of 1400cd/m² ± 300cd/m², a

brightness uniformity of more than 75%, a light diffusion level

of more than 90% and an average color rendition assessment

value of more than Ra90. Transparency viewers should meet

these standards.

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Fujifilm 15341277 Datasheet Page 3

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