Fujifilm 15341277 Datasheet Page 2

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FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICHROME Velvia 100F Professional
[
RVP100F
]
Subject Conditions
High Color Temperature:
Cloudy weather landscapes or
portraits in open shade in clear
weather.
Low Color Temperature:
Morning and evening twilight
scenes and portraits.
Filter
No.81A*
(LBA-2)***
No.82A* or
No.82C* (LBB-2
or LBB-4)***
Exposure
Correction
+1/3
stop****
+1/3 to
+2/3
stop****
* Wratten Filter
** Fuji Sharp-cut Filter
*** Fuji Light Balancing Filter (not available in certain markets.)
**** A “+” followed by a number indicates the required increase in
lens opening.
Electronic Flash
Electronic flash produces light similar to daylight, so
filters are not needed. However, the possibility of un-
desirable effects on color balance, due to various
factors (differences in equipment, use duration, etc.)
should be taken into consideration. Test exposures
are recommended.
The use of a flash meter is advisable, but the follow-
ing formula can also be used to obtain a satisfactory
lens opening.
Set the film speed at ISO 100. Since the amount of
light reflected onto the subject from surrounding sur-
faces will differ with the conditions, refer to the flash
unit instructions.
Daylight Photoflood / Photo-Reflector Lamps
Daylight-type photoflood or photo-reflector lamp out-
put may be lower than that indicated by an exposure
meter, so it is advisable to compensate for this by in-
creasing exposure time or lens opening. Whenever
possible, test exposures are recommended.
Other factors requiring consideration when determin-
ing the exposure time are lamp configuration, use
duration and line voltage, as they may affect lamp
output and color balance
Fluorescent Lamps
The use of the following combinations of color com-
pensating filters is advisable when photographing
under fluorescent lighting.
For exacting work, however, test exposures are rec-
ommended because lamp brand and age may affect
light output and color balance.
=
Electronic Flash Guide Number (at ISO 100)
Electronic Flash-to-Subject Distance (meters or feet)
Lens
Aperture
(F-number)
A UV filter No. 2C* (SC-39 or SC-40)** or other ap-
propriate ultraviolet absorbing filter is recommended
for scenes that are shone upon by strong ultraviolet
light, such as seaside locations, snow scenes, and
bright distant views.
Excessively high or low color temperatures may re-
quire the following filters and exposure corrections.
Fluorescent
Lamp Type
Color
Compensat-
ing Filters*
Exposure
Corrections**
White
(W)
10B+5M
+1/2 stop
Daylight
(D)
25R
+1 stop
Cool White
(CW)
15M+5B
+2/3 stop
Warm White
(WW)
No. 80C+10M
+1 stop
* Wratten Color Compensating Filters or Fuji Color Compensating
Filters are recommended.
NOTE: No. 80C is a Wratten Color Conversion Filter.
** Exposure correction values when using a filter relative to unfil-
tered exposure results. A “+” followed by a number indicates the
required increase in lens opening.
NOTES
Use a shutter speed slower than 1/30 second.
For shutter speeds of 2 minutes or more, exposure adjustments
will be necessary to compensate for reciprocity law failure.
Tungsten Lamps
A Wratten Filter No.80A (or Fuji Light Balancing Filter
LBB-12) is required when using 3200K tungsten light-
ing. A 1
2
/
3
-stop larger lens opening is also required.
If household tungsten lighting (room lamps, etc.)
constitutes the main source of illumination, in addi-
tion to the above filter a Wratten Filter No.82A (or Fuji
Light Balancing Filter LBB-2) is required, plus an ap-
erture increase of 1/3 stop (total 2 stops).
Mixed Light Sources
Under mixed light conditions, the basic filter configura-
tion should suit the main light source. In the case of
cameras with TTL metering, there is no need for addi-
tional exposure compensation for any CC filter(s) used.
5. LONG AND MULTIPLE EXPOSURE
COMPENSATION
No exposure correction or color balance compensation
is required for exposures within a shutter speed range of
1/4000 second to 1 minute. However, for exposures of 2
minutes or longer, ‘reciprocity law failure’-related color
balance and exposure compensations are required.
(Exposure time: 1/2 sec.)
Exposure Time
Color Compen-
sating Filter
Exposure
Corrections*
1/4000 sec. – 1 min.
None
2 min.
2.5B
+ 1/3
stop
4 min.
2.5B
+ 1/2
stop
8 min.
2.5B
+ 2/3
stop
* Exposure correction values when using a filter relative to unfiltered
exposure results. A “+” followed by a number indicates the re-
quired increase in the lens opening.
Multiple Exposures
No exposure correction or color balance compensation
is required for up to four consecutive multiple exposures
using an electronic flash. In the case of eight consecu-
tive multiple exposures, a 2.5G color compensating filter
is required with a 1/3- stop larger lens opening.
NOTE Exposure correction values given above for long and
multiple exposures are for a reversal film with an aver-
age emulsion when processed under standard pro-
cessing conditions. Therefore, use the data only as a
guide. For exacting work, test exposures are recom-
mended under actual shooting conditions.
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